Country Artist Ferlin Husky

Ferlin Eugene Husky was born in Cantwell, Missouri, on December 3, 1925, and grew up the son of a sharecropper on a small Missouri farm. He was named Ferland after one of his father’s friends, but his birth certificate nevertheless read “Ferlin,” and the spelling stuck. An uncle taught him guitar before age ten; tuning the family radio to KMOX-St. Louis, he heard smooth-singing favorites like Red Foley and Bing Crosby.

Husky became a disc jockey on Bakersfield radio station, KBIS. Here he developed his comic alter-ego, Simon Crum, based on the popular radio characters, Lum & Abner, and on Simon Crump, a friend and neighbor from his youth. Hilarious dialog between Husky and “Simon” boosted sponsors’ sales and helped prove Country music’s selling power. At Bakersfield’s Rainbow Gardens club, Husky headlined family-friendly shows and hosted children’s talent contests. At one such event he met twelve-year-old Dallas Frazier, and soon steered him to Capitol Records. Husky also mentored Tommy Collins, recommending him to the label as well. Husky played guitar on Collins’s early recordings and renamed him when someone ordered a Tom Collins drink during a session.

Husky’s first Capitol success was the smash hit, “A Dear John Letter,” on which featured artist, Jean Shepard, sang choruses punctuating Husky’s recitation as a soldier whose sweetheart has decided to marry his brother. With the Korean War still underway, the recording entered Billboard’s Country chart in July of 1953, shot to #1, and crossed over to #16 pop. Capitalizing on their success, the duo toured widely-after Husky was officially named guardian for Shepard, not yet twenty-one.

​Later in 1953, Ferlin and Jean Shepard notched a #4 Country hit with the answer song “Forgive Me John.” Nineteen fifty-five brought Husky three solo Top Tens: “I Feel Better All Over (More than Anywhere’s Else),” “Little Tom,” and “Cuzz Yore So Sweet,” his first hit as Simon Crum.

In 1956, Husky re-recorded a song he had earlier released on Capitol as Terry Preston (Smokey Rogers’s “Gone.”) Preparing for the session, held at Nashville’s Bradley Studio, Ken Nelson asked Jordanaires leader, Gordon Stoker, to recruit a soprano vocalist; Stoker asked Millie Kirkham to assist.

Husky had worked the televised version of Springfield, Missouri’s, Ozark Jubilee in 1955 and then moved to the Grand Ole Opry. “Gone” propelled him to network television appearances on Arthur Godfrey’s Talent Scouts–including spots as guest host-Kraft Television Theater, The Ed Sullivan Show, and eventually talk shows hosted by Steve Allen, Johnny Carson, and Merv Griffin. Husky had to give up his Opry slot, but TV exposure introduced him to millions of viewers.